The largest and most experimental of the books, The Forgotten Cry Out depicts common, mundane, and often forgotten objects found walking along Peachtree Street in Atlanta. Blending the flat silhouette of metal leaf with incomplete and fading renderings in ink and charcoal, each spread is meant to dominate the viewer’s perspective, encompassing them with both the presence and absence of the object depicted. With its large scale, the book enforces its physical presence upon the viewer, requiring that the viewer bodily move and make way in order to turn the individual pages.